Showing 1-20 of 20
By: Kenyon Nicholas
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 8965
Condition: Very Good
Many illustrations, music examples. Contents includes: - Messiah and Progress in Victorian England; Handel's London theatre orchestra; ‘La Pecorina’ at Mantua, Musica Nova at Florence; New light on Ockeghem's Missa ‘Mi-mi’ The Guitar and Italian song; A Trio in C major for recorder, violin and continuo by J. S. Bach? 16th-century Venetian wind instrument makers and their clients; Giovanni Girolamo Savoldo's Portrait of a Man with a Recorder; Musica ficta; Handel's Appoggiaturas: a tradition destroyed. View more info
By: Kenyon Nicholas
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9600
Condition: Very Good
Many illustrations, music examples. Slight damage to spine. Contents include: Handel's Chamber Music; Handel and regularizatio; Interpreting on of Handel's free preludes for harpsichord; John Dowland and Elizabethan Melancholy; Elizabeth Claude Jacquet de la Guerre and the secular cantate francoise; 'His own worst enemy' Scarlatti: some unanswered questions; Coreli in Calcutta. View more info
By: Kenyon Nicholas
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9604
Condition: Very Good
Many illustrations, music examples. Slight damage to the spine. Contents include: Very low ranges in the sacred music of Ockeghem and Tinctoris; Instruments and the Faenza Codex; The secular music of Alessandro Grandi; Portraits of Johann Joachim Quantz; How Alfonso della Viola tuned his viols, and how he transposed; Vincentius and the earliest harpsichords; The Guadalupe angel musicians; The early history of the clarinet and chalumeau; The clarinet and chalumeau revisited. View more info
By: Kenyon Nicholas
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9612
Condition: Very Good
Many illustrations, music examples. Contents include: When is an Orchestra not an Orchestra? ; The instrumentation of Handel's early Italian works; Italian oratorio and the Baroque Orchestra; Improvized ornamentation in a Handel aria with obbligato wind accompaniment; Newly found works of C. P. E. Bach; C. P. E. Bach and the tradition of Passion music in Hamburg; Performing C. P. E. Bach: some open questions; Morality and music: a study of a Flemish transformation scene of the later 16th century. View more info
By: Kenyon Nicholas
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9617
Condition: Very Good
Many illustrations, colour and b/w, music examples. Contents include: The Vestal Virgin and the Fire-stealer: memory, creation and authenticity; Instrumental music in the early 16th-century Mass: new evidence; Two polyphonic istampite from the 14th century; Six new dances by kellom Tomlinson: a recently discovered manuscript; ‘And Now About the Cauldron Sing’: music and the supernatural on the Restoration stage; Handel, the Dead March and a newly identified trombone movement; What Samuel Pepys heard on 3 February 1661: English trumpet style under later Stuart monarchs; Farinelli revisited. View more info
By: Kenyon, Nicholas
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9603
Condition: Very Good
Many illustrations, music examples. Contents include: Imagery, musical confrontation and cultural difference in early 18th-century London; The 15th–century balli tunes: a new look; Monteverdi's earliest extant ballet; Swedish sword dances in the 16th and 17th centuries; Music at the Pietà before Vivaldi; Public opera and the trials of the Teatro San Moisè ; A curious instrument with a five-octave compass; Graham Pont's ‘Paradigm of Inconsistency’. View more info
By: Knighton, Tess
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9620
Condition: Very Good
Many illustrations, colour and b/w, music examples. Contents include: Editing early music: the dilemma of translation; ‘At the mynde of Nycholas Ludford’: New light on Ludford from the churchwardens' accounts of St Margaret's, Westminster; More about the measures; The World of the early sackbut player: flat or round? ; ‘The dating of Purcell's Dido and Aenas’? : A reply to Bruce Wood and Andrew Pinnock. View more info
By: Thomson, J. M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 8084
Condition: Very Good
Many illustrations, music examples. Contents include: Monsieur Dublet and his confreres -The harpsichord decorators of Paris I; The songs of Dufay; Mary Magdalene, musician and dancer; Performing Franco-Netherlandish secular music of the late fifteenth century; French lute tablature in the 14th century; Naples 1460-90. View more info
By: Thomson, J. M.
Price: £8.00
Publisher: Oxford University Press: 1982
Seller ID: 8877
Condition: Very Good
Many illustrations, music examples. Volume includes: The pardessus de viole and its literature; The sacred music of Thomas Ravenscroft, The performance of plainchant; The Gentleman's Diversion John Lenton and the First Violin tutor; An Introduction to Alessandro Scarlatti's: Toccata prima; Viol construction in 17th-century England. View more info
By: Thomson, J. M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9568
Condition: Very Good
Many illustrations, music examples. Contents includes: On the performance of fifeenth century chansons; Percussion instruments of the Middle Ages and Renaissance: Their history in literature and painting; Renaissance Europe through Japanese eyes: Record of a strange triumphal journey; Early pianos: Their history and character; Where the wind blows: A regular column on instruments and instrument makers. View more info
By: Thomson, J. M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9570
Condition: Very Good
Many illustrations, music examples. Contents includes: The choice of instruments in baroque music; The crumhorn: historical sources; An introduction to the crumhorn repertoire; Recorder modifications 2: How to make blocks; New types of flute embouchure sections. View more info
By: Thomson, J. M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9571
Condition: Very Good
Many illustrations. Contents includes: The art of courtly love; The Shakespeare-Purcell Fairy Queen: A Defence and Recommendation; On the reconstruction of a medieval tabor; Recorder modifications 3. View more info
By: Thomson, J. M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9595
Condition: Very Good
Many illustrations, music examples. Contents include: Orlandus Lassus (1532–1594) and the Munich Kapelle; Basses and basse continue in the orchestra of the Paris Opéra 1700-1764; A Songe of fortie parts, made by Mr. Tallys; Professional recorder playing in England 1500–1740 II: 1640–1740; German musicians and their instruments A 14th-century account by Konrad of Megenberg; How to get the best from direct-blown double reeds; Autographs of Alfonso Ferrabosco I-III. View more info
By: Thomson, J. M.
Price: £8.00
Publisher: Oxford University Press: 1982
Seller ID: 11255
Condition: Very Good
Illustrations, music examples. Contents includes: - The performance of songs in late medieval France; Instruments in Florentine Carnival songs; the Ebenthal lute and viol tablatures - 13 new manuscripts of Baroque instrumental music; storage climates for musical instruments; the most beautiful among the claviers - Rudolph Richter's reconstruction of a Baroque lute-harpsichord; the surviving instruments of Andrea Amati; Haydn autographs & 'authentic' manuscript copies in the British Library. View more info
By: Thomson, J.M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9573
Condition: Very Good
Many illustrations, music examples. Contents include: The Old Hall Manuscript; Playing from original notation; Early percussion techniques; A checklist for the cittern. View more info
By: Thomson, J.M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9575
Condition: Very Good
Many illustrations, music examples. Contents include: Guillaume Dufay and the Early Renaissance; An introduction to renaissance viols, First steps on the dulcimer. View more info
By: Thomson, J.M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9578
Condition: Very Good
Many illustrations, music examples. Contents include: Secular musical practice in sacred art; Performance practices in the frottola; Arnold Dolmetsch; Bend the finger at all three joints: A first-hand records of Landowska's teaching methods; The ‘Authentic’ sound of early music; First steps towards playing the cornett—2; Woods used for woodwind since the 16th century 2: A descriptive dictionary of the principal woods mentioned; Performing early music on record–1: A retrospective and prospective survey of the music of the Italian trecento. View more info
By: Thomson, J.M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9580
Condition: Very Good
Many illustrations, music examples. Contents include: C. P. E. Bach's Versuch reconsidered; Producing Dido and Aeneas: An investigation into sixteen problems with a suggestion to conductors by Michael Tilmouth in the form of a newly-composed finale to the Grove scene; Chitarrone, Theorbo and Archlute; The trumpet sonata in England; Gut Strings; Harpsichord building in Holland; The economics of early music; Photographing early instruments; Performing early music on record 5: Early dance music. View more info
By: Thomson, J.M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9582
Condition: Very Good
Many illustrations, colour and b/w, music examples. Contents include: ‘Main divers acors’: Some instrument collections of the Ars Nova period; A dance for kings: The 17th–century French Cour ante: Its character, step-patterns, metric and proportional foundations; What exactly is violone? A note towards a solution; The baroque trumpet after 1721; some preliminary observations: Part 1: Science and Practice; The performance of troubadour and trouvère songs: Some facts and conjectures; Sixteenth-century German playing-cards: A little-known source of German songs. View more info
By: Thomson, J.M.
Price: £8.00
Publisher: Oxford University Press:
Seller ID: 9590
Condition: Very Good
Many illustrations, music examples. Contents include: The earliest English keyboard; Restoration stage fiddlers and their music; The theorboed guitar Its repertoire in the guitar books of Granata and Gallot; Charpentier and the early French ensemble sonata; The French style and the overtures of Bach: Part two; Rediscovering Baroque Wind 1: The baroque bassoon; The chalumeau: Independent voice or poor relation? ; Tonality and the baroque oboe; A brief workshop manual for recorders; An eight-voice parody of Lassus: André Pevernage's Bon jour mon coeur; Albert de Rippe Joueur de luth du Roy; Mic... View more info
