Category: Early Music

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Early Music Vol 13 No 3 August 1985

By: Kenyon Nicholas

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 8965

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents includes: - Messiah and Progress in Victorian England; Handel's London theatre orchestra; ‘La Pecorina’ at Mantua, Musica Nova at Florence; New light on Ockeghem's Missa ‘Mi-mi’ The Guitar and Italian song; A Trio in C major for recorder, violin and continuo by J. S. Bach? 16th-century Venetian wind instrument makers and their clients; Giovanni Girolamo Savoldo's Portrait of a Man with a Recorder; Musica ficta; Handel's Appoggiaturas: a tradition destroyed.
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Early Music Vol 13 No 4 November 1985

By: Kenyon Nicholas

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9600

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Slight damage to spine. Contents include: Handel's Chamber Music; Handel and regularizatio; Interpreting on of Handel's free preludes for harpsichord; John Dowland and Elizabethan Melancholy; Elizabeth Claude Jacquet de la Guerre and the secular cantate francoise; 'His own worst enemy' Scarlatti: some unanswered questions; Coreli in Calcutta.
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Early Music Vol 14 No 4 November 1986

By: Kenyon Nicholas

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9604

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Slight damage to the spine. Contents include: Very low ranges in the sacred music of Ockeghem and Tinctoris; Instruments and the Faenza Codex; The secular music of Alessandro Grandi; Portraits of Johann Joachim Quantz; How Alfonso della Viola tuned his viols, and how he transposed; Vincentius and the earliest harpsichords; The Guadalupe angel musicians; The early history of the clarinet and chalumeau; The clarinet and chalumeau revisited.
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Early Music Vol XVI No 4 November 1988

By: Kenyon Nicholas

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9612

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents include: When is an Orchestra not an Orchestra? ; The instrumentation of Handel's early Italian works; Italian oratorio and the Baroque Orchestra; Improvized ornamentation in a Handel aria with obbligato wind accompaniment; Newly found works of C. P. E. Bach; C. P. E. Bach and the tradition of Passion music in Hamburg; Performing C. P. E. Bach: some open questions; Morality and music: a study of a Flemish transformation scene of the later 16th century.
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Early Music Vol XVIII No 3 August 1990

By: Kenyon Nicholas

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9617

Binding: Paperback

Condition: Very Good

Many illustrations, colour and b/w, music examples. Contents include: The Vestal Virgin and the Fire-stealer: memory, creation and authenticity; Instrumental music in the early 16th-century Mass: new evidence; Two polyphonic istampite from the 14th century; Six new dances by kellom Tomlinson: a recently discovered manuscript; ‘And Now About the Cauldron Sing’: music and the supernatural on the Restoration stage; Handel, the Dead March and a newly identified trombone movement; What Samuel Pepys heard on 3 February 1661: English trumpet style under later Stuart monarchs; Farinelli revisited.
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Early Music Vol 14 No 3 August 1986

By: Kenyon, Nicholas

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9603

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents include: Imagery, musical confrontation and cultural difference in early 18th-century London; The 15th–century balli tunes: a new look; Monteverdi's earliest extant ballet; Swedish sword dances in the 16th and 17th centuries; Music at the Pietà before Vivaldi; Public opera and the trials of the Teatro San Moisè ; A curious instrument with a five-octave compass; Graham Pont's ‘Paradigm of Inconsistency’.
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Early Music Vol XXII No 3 August 1994

By: Knighton, Tess

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9620

Binding: Paperback

Condition: Very Good

Many illustrations, colour and b/w, music examples. Contents include: Editing early music: the dilemma of translation; ‘At the mynde of Nycholas Ludford’: New light on Ludford from the churchwardens' accounts of St Margaret's, Westminster; More about the measures; The World of the early sackbut player: flat or round? ; ‘The dating of Purcell's Dido and Aenas’? : A reply to Bruce Wood and Andrew Pinnock.
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Early Music Vol 10 No 3 July 1982

By: Thomson, J. M.

Price: £8.00

Publisher: Oxford University Press: 1982

Seller ID: 8877

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Volume includes: The pardessus de viole and its literature; The sacred music of Thomas Ravenscroft, The performance of plainchant; The Gentleman's Diversion John Lenton and the First Violin tutor; An Introduction to Alessandro Scarlatti's: Toccata prima; Viol construction in 17th-century England.
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Early Music Vol I No I January 1973

By: Thomson, J. M.

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9568

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents includes: On the performance of fifeenth century chansons; Percussion instruments of the Middle Ages and Renaissance: Their history in literature and painting; Renaissance Europe through Japanese eyes: Record of a strange triumphal journey; Early pianos: Their history and character; Where the wind blows: A regular column on instruments and instrument makers.
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Early Music Vol I No 3 July 1973

By: Thomson, J. M.

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9570

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents includes: The choice of instruments in baroque music; The crumhorn: historical sources; An introduction to the crumhorn repertoire; Recorder modifications 2: How to make blocks; New types of flute embouchure sections.
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Early Music Vol I No 4 October 1973

By: Thomson, J. M.

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9571

Binding: Paperback

Condition: Very Good

Many illustrations. Contents includes: The art of courtly love; The Shakespeare-Purcell Fairy Queen: A Defence and Recommendation; On the reconstruction of a medieval tabor; Recorder modifications 3.
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Early Music Vol 10 No 2 April 1982

By: Thomson, J. M.

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9595

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents include: Orlandus Lassus (1532–1594) and the Munich Kapelle; Basses and basse continue in the orchestra of the Paris Opéra 1700-1764; A Songe of fortie parts, made by Mr. Tallys; Professional recorder playing in England 1500–1740 II: 1640–1740; German musicians and their instruments A 14th-century account by Konrad of Megenberg; How to get the best from direct-blown double reeds; Autographs of Alfonso Ferrabosco I-III.
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Early Music Vol 2 No 1 January 1974

By: Thomson, J.M.

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9573

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents include: The Old Hall Manuscript; Playing from original notation; Early percussion techniques; A checklist for the cittern.
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Early Music Vol 2 No 4 October 1974

By: Thomson, J.M.

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 9575

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents include: Guillaume Dufay and the Early Renaissance; An introduction to renaissance viols, First steps on the dulcimer.
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Early Music Vol 3 No 3 July 1975

By: Thomson, J.M.

Price: £8.00

Publisher: Oxford University Press:

Seller ID: 12957

Binding: Paperback

Condition: Very Good

Many illustrations, music examples. Contents include: Secular musical practice in sacred art; Performance practices in the frottola; Arnold Dolmetsch; Bend the finger at all three joints: A first-hand records of Landowska's teaching methods; The ‘Authentic’ sound of early music; First steps towards playing the cornett—2; Woods used for woodwind since the 16th century 2: A descriptive dictionary of the principal woods mentioned; Performing early music on record–1: A retrospective and prospective survey of the music of the Italian trecento.
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Category: Early Music

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